As the name indicates, this float is dedicated to Japan’s moon god, Tsukiyomi-no-mikoto. Different from the West, he is the male counterpart to Japan’s female sun goddess Amaterasu-Ōmikami.
Tsukiyomi-no-mikoto governs the night and is also the deity of water, perhaps leading to the aquatic motifs you’ll see in this float’s decorations.
Having survived several great fires over the centuries, this is one of the oldest floats, and as such features extensive, historic treasures.
The paintings on the ceiling inside the float are by 18th-century artistic genius Maruyama Ōkyo, and depict scenes from the great novel Tale of the Genji, cleverly portrayed within images of fans.
The metalwork shells are diverse and seem biologically accurate, as do the flowers – all of which bloom in July, when the Gion Festival takes place.
While the West sees an old man in the moon, Japanese see a rabbit; you’ll enjoy the amazing carvings of rabbits on the roof gables. Tsuki Boko survived the 1864 fire that destroyed many other floats (such as the nearby Ōfune Boko and Ayagasa Boko), so you can imagine the disruption caused by that great fire and the relief and gratitude felt by the floats that survived it.
In the display area you can see a rare, early 17th-century medallion carpet from Lahore that may be the festival’s most valuable. See also the beautifully embroidered panels of mythical beasts that previously adorned the float and are now conserved inside instead.